August 9, 1969
Mike Westbrook Sextet – 4-7 August 1969, Ronnie Scott’s club upstairs room;
John Surman – 8 August 1969, Bluecoat Hall, Liverpool (Surman, Mike Osborne, Harry Miller, Alan Jackson, John Taylor); 9 August, National Jazz, Blues & Pop Festival, Plumpton Racecourse, Sussex;
Chris McGregor, August 1969, Ronnie Scott’s club upstairs room, reviewed by Barry McRae in Jazz Journal 22/10 (October 1969): “If Ronnie Scott’s excellent new ‘upstairs’ policy persists we are in for some rare treats for, despite a fire delaying the opening, the first week set a frightening standard. The sign on the door read Chris McGregor but the pianist’s regulars Barry Guy, Louis Moholo and Monks Feza were augmented by Westbrook favourites Mike Osborne (alt) and John Surman (sop/bari) and S.M.E. expatriate Evan Parker (ten).
The outcome was some of the most exciting live jazz I hve heard this year. Moholo, who in the past I have sometimes found stiff, was magnificent and it was his unflagging drive that lifted every soloist, to say nothing of the powerful collective ensemble. The soloists, foir their part, responded admirably. Guy and the leader played with real passion, Osborne demonstrated how well he can now play in a free context and Feza produced his own brand of individual and fiery pocket trumpet. Surman was brilliant and, on the night I visited, said he really wanted to play. Both his baritone and soprano work confirmed this attitude and his group playing on the latter horn deserved special mention. His solo talent will be known to most readers but it was noticeable how much attention he paid to inventiveness while in a contrapuntal role.
I have left mention of Parker until last because he strikes me as the most improved jazzman in the country. Perhaps due to his experience with John Stevens, he is a superb group player. In this pick-up unit he seemed to balance the four man front perfectly, always sensing when to drop to his lower register with Ayler-like growls and when to pierce its upper limits with Barbieri-like screams. Not that his style really resembles either but he shares Barbieri’s awareness of timbre and seems to have developed a melodic sense that does hint at the Ayler school.
In commenting on the players individually I might be guilty of suggesting a band of disparate parts. Nothing could be further from the truth for this was a tremendous collective achievement – the ensemble at times crying in full throat with an animation that verged on hysteria. The effect was exhilarating, completely unselfconscious and abandoned in a total manner. There was never musical disintegration and the result underlined the fact that McGregor is a remarkable catalyst who deserves to keep such a group together on a permanent basis.”
June 27, 1968
Recording date unknown; broadcast on BBC Radio 1’s ‘Jazz Club’ on June 5th 1968. Unissued.
Mike Westbrook, piano; Malcolm Griffiths, trombone; Mike Osborne, alto saxophone; John Surman, baritone saxophone; Harry Miller, double bass; Alan Jackson, drums
One Way Split (Osborne)
Gee Baby, Ain’t I Good To You (Redman)
June 15, 1968
Recorded live at the Montreux Jazz Festival, June 15, 1968. Unissued.
Mike Westbrook, piano, Malcolm Griffiths, trombone; John Surman, baritone sax; Mike Osborne, alto sax; Harry Miller, bass; Alan Jackson, drums
Out and About (Surman) 10:27
The Girl From Ipanema (Jobim/de Moraes/Gimbel)/Unknown 11:28
Forever And A Day (Westbrook) 7:08
The Lamplighter (Surman) 8:02
January 27, 1968
Recorded c. January 1968, BBC studio (London), broadcast on BBC Radio 1 series ‘Jazz Club’, 31st January 1968. Unissued.
Mike Westbrook, piano; Malcolm Griffiths, trombone; Mike Osborne, alto saxophone; John Surman, baritone saxophone; Harry Miller, bass; Alan Jackson, drums
The Search (Westbrook)
If I Cared (Westbrook)
Yugoslavian Dance (Surman)
December 24, 1966
Recorded live in Plymouth, circa 1966? Unissued.
Mike Westbrook, piano; Malcolm Griffiths, trombone; John Surman, baritone saxophone; Mike Osborne, alto saxophone; Harry Miller? double bass; Alan Jackson, drums
One Way Split (Osborne)
If I Cared (Westbrook)
Event: i Gathering/ii Ritual/iii Circle Dance (Surman)
Waltz For G (Surman)
Can’t Get It Out Of My Mind (Westbrook)
Unknown Title (Surman)/Up ‘N’ Out (Westbrook)
The Girl From Ipanema (Jobim/de Moraes/Gimbel)
August 28, 1966
Recorded 28 August 1966 at Olympic Sound Studios, London. Unissued.
Mike Westbrook, piano; Malcolm Griffiths, trombone; Mike Osborne, alto saxophone; John Surman, baritone and soprano saxophones; Harry Miller, double bass; Alan Jackson, drums
Effervescence [Take 1]
Effervescence [Take 2 – false start]
Effervescence [Take 3]
Trombone In The Basement
Time Remembered [Take 1]
Time Remembered [Take 2]
Time Remembered [Take 3]
A Three Note Theme
And Don’t Come Back
Ballad [Take 1]
Ballad [Take 2]
Ballad [Take 3]
May 23, 1966
Recorded c. May 1966, BBC studios, London. First broadcast in BBC Radio’s Light Programme series “Jazz Club”, 5th June 1966. Unissued
Mike Westbrook, piano; Malcolm Griffiths, trombone; John Surman, baritone sax; Mike Osborne, alto sax; Harry Miller, bass; Alan Jackson, drums
And Don’t Come Back (Westbrook)
Time Remembered (Westbrook)
Marching Song (Westbrook)